By Dudley Andrew
André Bazin, usually dubbed the daddy of the French New Wave, has had a massive impression on movie artwork. he's credited with virtually single-handedly constructing the examine of movie as an authorised highbrow pursuit. The magazine that he based in 1951, Cahiers du Cinéma, continues to be the main influential archive of cinema feedback. He is still probably the most learn, so much studied, and most attractive figures ever to have written approximately movie. the previous few years have witnessed an important resurgence of curiosity in Bazin between critics, students, and scholars of each persuasion. His writings, a mainstay of movie idea classes, are actually discovering a spot at the syllabi of center classes in movie historical past, feedback, and appreciation. Andrew's highbrow biography is a landmark in movie scholarship.
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Additional info for André Bazin (Revised Edition)
Xxxiii P R E FA C E TO T H E R E V I S E D E D I T I O N Yet that textbook was out of date when it appeared. Bazin may stand as the strongest thinker among classical film theorists, but the book goes on to mention the semiotics and psychoanalysis that I had found in Paris when I arrived there in 1973. That was the year the Centre Americain du Cinéma et de la Critique opened its doors at Place de L’Odeon. A great many American doctoral students would pass through that program where they studied with or heard about Christian Metz and his students.
From an early age Bazin displayed a love of books and ideas, and a passion for nature and animals. On his own initiative, he taught himself to read; his room was strewn with library books and magazines when he was barely old enough to attend school. Most of this reading reflected his interest in nature and animals. La Rochelle is on the Atlantic coast just north of Bordeaux, an area rich in topographical and geological variety. An only child Bazin spent his days wandering in the forests, rock hills, river basins, and beaches of the region, collecting rocks and fossils.
Dudley Andrew (2013) xxxix This page intentionally left blank FOREWORD “ YES, WE MISS ANDRÉ BAZIN ” At the moment of André Bazin’s death, we were all present at something truly rare: artists paying tribute to a critic! Indeed, Luchino Visconti, Jean Cocteau, Robert Bresson, Marcel Carné, Luis Buñuel, Orson Welles, and Federico Fellini felt strongly enough to write in public declarations and in letters to Janine Bazin that for fifteen years they had found in Bazin a man of open mind and unfettered intelligence, whose analyses had been genuinely helpful to them in their work.